Brian MaguireApartments Aleppo, 2016
Acrylic on linen
290 × 270 cm
Born in 1951 in Bray, Ireland, Brian Maguire studied arts first at Dun Laoghaire Technical School and then at the National College of Art and Design where he graduated in 1974. Since the beginning of his artistic career, Maguire's work emerged from his engagement with people who find themselves marginalised or excluded. Brian Maguire has approached painting as an act of solidarity. He operates a truly engaged practice, compelled by the raw realities of humanities' violence against itself, and the potential for justice. Maguire's preoccupations draw him to the margins of the art world - alternative space, prisons, women's shelters and psychiatric institutions - making shows in traditional gallery and museum spaces something of a rarity.
Maguire has shown extensively in Europe and the Americas, most recently at the Fergus McCaffery Gallery ,New York, Museo de Arte de Ciudad Juarez, the Rubin Centre for the Visual Arts, University of Texas at El Paso, at the United Nations Headquarters, New York, the Rhona Hoffmann Gallery, Chicago, and Galerie Christophe Gaillard, Paris. He is represented by the Kerlin Gallery, Dublin and Galerie Christophe Gaillard, Paris.
Maguire is currently showing Remains in the Crawford Art Centre in Cork, Ireland. This show is of paintings based on the police photos of the remains of dead migrants who failed to complete walking across the Sarona Desert along the southern border of Arizona and Mexico.
Installation view at Kerlin Gallery, Dublin
All images courtesy of the artist and Kerlin Gallery, Dublin
Colin Crotty, Eithne Jordan, Eleanor McCaughey, Fergus Martin, Kathy Tynan, Mairead O’hEocha, Alison Pilkington, Brian Maguire, Colin Martin, Gabhann Dunne, Gemma Browne, Gillian Lawler, John Lalor, Natasha Conway, Orla Whelan, Oscar Fouz Lopez, Stephen Loughman, Marcel Vidal, Harry Walsh Foreman, Mark O'Kelly, Patrick Graham, Salvatore of Lucan, Sonia Shiel, Sven Sandberg, Liliane Puthod, Forerunner, Sean Molloy, Sean Molloy
About the Exhibition
Pallas Projects present ‘Dubliners’ – the international section of the 6th Biennial of Painting, Zagreb, curated by Mark Cullen & Gavin Murphy. The exhibition affords a unique opportunity to present together for the first time, an intergenerational grouping of painters who were born, bred, studied (and taught), or live and work in Dublin. The invitation to curate such a survey of contemporary painting presents a huge opportunity, and invites its own questions. It allows us to consider: what does it mean to present a national (or municipal) exhibition today? What does (or can) such an exhibition say about a city, its people? What does it mean within the expanded topography of contemporary art with its multiple and unlimited forms? What does such an exhibition say about artists (or painters) working together in a city. Can we trace traits of influence, exchange and conversation, of a ‘community of painting’, or is painting the ‘purest form of individualism’?
Saturday 23rd October, 5pm CET
Panel discussion: What is it to paint (in) a city?
Artist talk moderated by critic, curator and educator James Merrigan, with panellists Stephen Loughman, Colin Martin, Mark O’Kelly, Sonia Shiel, Orla Whelan.
Wednesday 27th October, 6pm CET
Dubliners Reel, curated by Eve Woods
A screening of film works by Irish artists, featuring: Anne Maree Barry, John Byrne, Michelle Doyle, Kevin Gaffney, Léann Herlihy, and Gavin Murphy.
Pallas Projects/Studios (founded 1996) is a not-for-profit artist-run organisation dedicated to the facilitation of artistic production and discourse, via the provision of affordable artists studios in Dublin’s city centre, and curated projects, exhibitions, exchanges, off-site projects, talks, resource programmes, and publications. PP/S are at the forefront of research, advocacy and support of artist-run practice in Ireland and across Europe. They are authors of the research project and publication ‘Artist-Run Europe’ (Onomatopee, Eindhoven, 2016), which included contributions from AA Bronson, Transmission Gallery, Triangle France, and Eastside Projects and featured essays, case studies, and an index of 600 European artist-run spaces – a second updated edition of which is due in 2022.
Pallas Projects/Studios is funded by The Arts Council
‘Dubliners’ is funded by Culture Ireland
About the Biennial of Painting
The Croatian Association of Artists (HDLU) established the Biennial of Painting in 2011. The Biennial’s aim is to survey and evaluate the local painting scene in the context of new European movements and explore, through comparison, the global position of the medium of painting. In this way, HDLU promotes the development of the visual arts by supporting and encouraging artistic creativity and excellence, and by conceiving and promoting international cultural exchange. Conferences, lectures and presentations are organised as part of a Biennial on the initiative of the organisers, to both educate and inspire. Traditionally two awards (Grand Prix and Young Artist Award) – extremely valuable from an expert artistic and financial point of view – are awarded to the most prominent artists and their work.
As well as presenting what is new in Croatian painting today, each edition of the Biennial engages with new and emerging tendencies in the medium of painting across various cities, regions and countries of Europe. In 2011, the guest city was Berlin (“I am a Berliner”, curated by Mark Gisbourne), in 2013 Vienna (“Vienna Calling”, curated by Theresia Hauenfels), in 2015 it was Gdańsk (“Exporting Gdańsk”, curated by Katarzyna Kosmala), in 2017 Prague (“Extended Painting Prag”, curated by Marek Schovanek), and in 2019 Leipzig (“Leipzig Connection”, curated by Mark Gisbourne).
HDLU is located in the famous Meštrović Pavilion in central Zagreb. It consists of three exhibition spaces: Prsten Gallery, Bačva Gallery, and PM Gallery. Its mission and openness aims to foster all expressions of creativity, from prestigious world premieres and biennials to grassroots movements, with the desire to inspire and motivate the public through art.